Tuesday, January 24, 2017
Poetry Analysis - Maya Angelou
Maya Angelou was born as white daisy Johnson on April 4th, 1928 in St. Louis Missouri. An black that rose to fame with the publication of her memoir, I Know Why the Caged snigger Sings; which made literary annals as the first nonfictional prose best-seller written by an African-American women. Maya Angelou received over 50 congratulatory doctorate degrees, become a famed polished rights activist, filmmaker, historian, actress, dramatist, memoirist, producer, educator, and poet. On May 28th, 2014 Dr.Maya Angelou passed international from heart problems. Phenomenal muliebrity by Maya Angelou is a write up verse that tells the celebration of a womans made life. With Maya Angelous use of resource, tone, and symbolism. The of a sudden narrative poem frameworks into a hymn-like poem, representing the inner beauty that makes her a phenomenal woman.\nPhenomenal adult female by Maya Angelou contains a gigantic amount of resource. Imagery gives the indorser the ability to capt ure the panorama in their head, to their penchant. Dr.Maya Angelou heavily uses imagery to describe herself. For example, in lines 7-9 she states, The nosepiece of my hips, The stride of my step, The curl of my lips. Maya Angelou proudly speaks of her wide hips, being a feature that many women have the appearance _or_ semblance to dislike about themselves. bingle more example of energising imagery is told in lines 38-40. Its in the arch of my back, The sunbathe of my smile, The ride of my breasts. Unlike received beauties of the time, Maya Angelou embodies her features. She defines her smiles frizz to be a place of pride that beams as silky as the sun.\nNot hardly were there strong ties of imagery fused into the poem further also tone. The tone of this poem is written with immense resentment that makes it easily relatable and understandable for women. partnership contrives pressure on women to look, act, dress, etc., a certain way that is deemed to be beautiful. Women have had this idea put into their head that they d...
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