The Timeline of Art :: Arts Artistic Painting Painter Essays

Timeline of ArtThe Thread The thread which joins either the isms in the twentieth century are itsslow evolution from genius rate of flow to another(prenominal)(prenominal). As artists from one conceptswere exploring a original idea that take to another either just for the sakeof the curiosity or by limpid boredom. Therefore my paper deals with theevolution of dissimilar isms in this century. Fauvism From 1904-7, for a in truth picture period, a few Paris painters evolved a expressive style of moving-picture show that earned the name Les Fauves (wild beasts). HenriMatisse, Andre Derain and Maurice Vlaminck were the major contri neverthelessors tothis style of painting which gained popularity due to its apparent freedomof expression with the use of pure colors and hyperbole of drawing. Among all of the twentieth century art nominal heads, this was the mosttransient and least definable. The tether major painters run was highlyindividual and shared all for br ief periods. The momentary excitementthat held these painters aloft and allowed them the maximum of freedom,deserted them as their work developed and matured. The hangover from thismovement led to sunrise(prenominal) delegacy of expression. It was neer a movement with aimsthat could be realized such as sequential movements as Cubism was, but wasa erratic process of experiments with possibilities suggested by the post- impressionistic painters.Cubism Cubism, which began very shortly after Fauvism, is exemplified byPablo Picasso. In this movement the shape space including backgroundand foreground are related in a new and more(prenominal) abrupt manner. The first belief is of a tv camera in motion, a kaleidoscopic impression of the solidportions of the figure. This certain characteristic can be contrasted to theimpressionist movements works. Added to this kaleidoscopic quality isanother new element. Picasso and his Cubist colleagues disintegrated theform into a seria l of simultaneously viewed but different aspects of thesame subject. A cubist painter, to achieve a great understanding, walked slightly the subject, observing it from significant various angles andrecording them as his impressions of form. merely this role led toactual destruction of form and its reduction to a series of decorativeelements. Negro art and inscribe had a gruelling effect and it was quiteextensively used by Picasso. Negro sculpture okay his subject in amore conceptual mood than a naturalistic depiction, mostly by a western view. This resulted in forms that were more abstract and stylized and in a senseThe Timeline of Art arts Artistic Painting Painter EssaysTimeline of ArtThe Thread The thread which joins all the isms in the twentieth century are itsslow evolution from one period to another. As artists from one conceptswere exploring a certain idea that led to another either just for the sakeof the curiosity or by sheer boredom. Therefore my paper deals with theevolution of different isms in this century. Fauvism From 1904-7, for a very brief period, a few Paris painters evolved astyle of painting that earned the name Les Fauves (wild beasts). HenriMatisse, Andre Derain and Maurice Vlaminck were the major contributors tothis style of painting which gained popularity due to its apparent freedomof expression with the use of pure colors and exaggeration of drawing. Among all of the twentieth century art movements, this was the mosttransient and least definable. The three major painters work was highlyindividual and shared only for brief periods. The momentary excitementthat held these painters aloft and allowed them the maximum of freedom,deserted them as their work developed and matured. The hangover from thismovement led to new means of expression. It was never a movement with aimsthat could be realized such as successive movements as Cubism was, but wasa erratic process of experiments with possibilities suggested by the post-impressionist painters.Cubism Cubism, which began very shortly after Fauvism, is exemplified byPablo Picasso. In this movement the flattened space including backgroundand foreground are related in a new and more abrupt manner. The firsteffect is of a camera in motion, a kaleidoscopic impression of the solidportions of the figure. This certain feature can be contrasted to theimpressionist movements works. Added to this kaleidoscopic quality isanother new element. Picasso and his Cubist colleagues disintegrated theform into a series of simultaneously viewed but different aspects of thesame subject. A cubist painter, to achieve a greater understanding, walkedabout the subject, observing it from significant various angles andrecording them as his impressions of form. But this procedure led toactual destruction of form and its reduction to a series of decorativeelements. Negro art and sculpture had a profound effect and it was quiteextensively used by Picasso. Negro sculpture approved his subject in amore conceptual way than a naturalistic depiction, mostly by a western view. This resulted in forms that were more abstract and stylized and in a sense